Texts that relate to this project:
Sound
- Barrett, G. Douglas. 2016. After Sound: Toward a Critical Music. New York: Bloomsbury Academic.
- LaBelle, Brandon. 2018. Sonic Agency: Sound and Emergent Forms of Resistance. Goldsmiths Press Sonics. London: Goldsmiths Press.
- Voegelin, Salomé. 2014. Sonic Possible Worlds: Hearing the Continuum of Sound. New York: Bloomsbury Academic.
- Yan, Jun. 2017. ‘Re-Invent: Experimental Music in China’. In Audio Culture: Readings in Modern Music, edited by Christoph Cox and Daniel Warner, Revised edition, 345–352. New York: Bloomsbury Academic.
- Yang, Yeung, ed. 2013. Pocket:1 Around. Hong Kong: soundpocket.
Radio
- Ah, Cheng. (2009) 2017. ‘On Listening to Enemy Radio’. Translated by Yurou Zhong. MCLC Resource Center. 3 July 2017. http://u.osu.edu/mclc/online-series/zhongyurou/.
- Kahn, Douglas, ed. 1994. Wireless Imagination: Sound, Radio, and the Avant-Garde. Cambridge, Mass: MIT Press.
- Mendyk, Michał, and Wojtek Zrałek-Kossakowski. 2018. ‘What Does the Radio Do For Us? A Conversation with Gregory Whitehead’. Glissando (blog). 2018. http://glissando.pl/en/text/what-does-the-radio-do-for-us-a-conversation-with-gregory-whitehead/.
- Lei, Wei, and Wanning Sun. 2017. ‘Radio Listening and the Changing Formations of the Public in China’. Communication and the Public 2 (4): 320–34. https://doi.org/10.1177/2057047317727288.